About a month or two ago I took possession of a Quilter 101 Mini Head. About time I posted a review of it I think as these amps are causing a big stir in the world of normal gigging guys, guys like me, and probably guys like you.
The first thing that strikes me about this thing is the size and weight, well, lack of weight really. It literally weighs the same as a bag of sugar. 2lbs. That kinda freaked me out a little as I know it’s a 100w head and can flatten the first three rows of any audience in any bar. For this very reason I didn’t plug it in straight away because I was already judging it, as a valve amp guy, weight usually signifies tone. The beefier the transformers, the better the tone. Which means literally, the heavier it is, the better it is more likely to sound.
After a day or so I plugged it in to my 2x12” cab, with a flat EQ (more about that later) and put it on Full Q, which is their cleanest setting. I was surprised, it sounded great! Full, punchy, and was quite alive. So, already it had worked its way up in my estimations and was outperforming most straight up analogue solid state amps.
The EQ on it is bloody confusing, I must admit it leaves me, even now, scratching my head as to why they’ve done it like this. A straight B/M/T stack would have made it easier to use and easier to dial in, but you have to balance a control that can give you a EQ like a smiley face, dead flat or a hi pass, and a Hi-Cut control that goes from flat to low pass. This wasn’t easy to find as I’m more of a turn it and see type of guy and I had to stop and think about how I want my tone forged, this isn’t necessarily a bad thing, but it did take an exercise of patience to find a tone I could build on. This leads me onto the “gain stage” selector. The Quilter boasts 5 different voicings, that brings in differing amounts of gain. Full Q is totally clean, Tweed, Jazz, Surf and Lead are quite self-explanatory… I found that for my needs (a clean platform to build on) Full Q or Surf was the best option.
The most important question for me is, how does it take pedals… well, to be completely honest it takes them like a dream. No matter what I shoved in the front it just took them without issue. I even started to bung random stacking options in front to see if I could break it, but it refused point blank to buckle and break. I’m telling you, if it can take the Dracarys maxed going into the Tumnus maxed and not fart out, it’s going to take anything you can put its way.
The only time it showed a weakness was, and this is probably the most important test, was when I gigged it. As most of you know, when I gig I either use a Wampler Bravado head and 1x12” cab, or a Fender BDri into a custom 2x12” loaded with WGS speakers. I tried the Quilter into both cabs and it sounded more than passable into the Wampler cab, but in the 2x12” it really lacked clarity, sparkle… you know, that glass element of a really good clean valve amp. The bass player in the band I’m in happens to be one of musical heroes (he was the person that introduced me to the music of Brent Mason after all) and has ears like a deer. He can hear everything and knows instantly how good something is. His comment was “That would be the perfect back up amp if yours goes down again”. That was enough for me to know that in this band, with this band mate, I can’t use it live.
So, what do I think of the Quilter. Does it have a place in my musical life? The answer most definitely is “definitely”. I will use it live going forward if I play in a band that doesn’t demand such pristine and glassy cleans (I still have my eye on an 70’s-80’s 90’s rock band), and I am severely tempted to follow Brian’s advice and get a TC Electronic Mimiq for the ‘other guitar’ feel – because that pedal doesn’t work in mono into one amp, if you use two it’s amazing. It would be perfect for that also as a wet/dry rig, the possibilities are endless. However, if you stick the Wampler Black ’65 in front of it there is no better option for a live clean rig using an amp you can legitimately put in the front pocket of your gig bag... Simple home recording, definitely. Practice, definitely.
Final verdict – can it legitimately be used to replace as a high end valve amp in a pure clean setting? For me… not quite. Maybe if the EQ was more logical and better laid out, and if they make the EQ of the front end more responsive and make it sound glassy, it would be a killer product and one that would take the world by storm. Maybe we should make a D class amp with some of Brian’s genius in the front end. As for this, right now I won’t ever leave home without it for a gig, as if my amp does go down, I can plug this thing in and it will do a fantastic job of covering the amps I use and love. It is the perfect amp for home use, simple recording and practice? Absolutely. I've put it to such good use already I can't begin to tell you. Right now, I don't think there's anything better out there for these purposes... Plus, let's revisit something I said earlier. I carry a spare 100w amp on a gig day in the slot in my pedal case that is designed for my cables. That alone makes it an invaluable addition to my rig.
Many thanks to my good friend and fellow tone chaser, Justin Hize for organising this for me and throwing it over the pond. It's been quite the eye opener!
Latest from Jason Wilding
- Why is it called music theory? Shouldn’t it be called music rules?
- Queen, Adam Lambert, and playing THE Red Special...
- What would I say to my younger self about playing live
- Facebook Groups - Opinions, arguments, fights, support, community and constant bemusement
- Gibson, the future, the past and the truth about that Joe Bonamassa story...