Fuzztration

Fuzztration (noun): The torturous feeling of desperation when searching for THE perfect fuzz.

Fuzztration

The search for the perfect fuzz can be an exercise in frustration. On one hand, there's always the desire to emulate the classic, vintage-inspired tones like the Rock Gods before us. They used what was available at the time to forge some of the most memorable songs in history with unbeatable sustain.

On the other hand, there are players who desire to break outside of the norm and push their own boundaries, using fuzzes that are over the top, like a tsunami of fuzz ready to envelop their guitar's signal. Despite the already incredible credentials some fuzzes have by being on such iconic songs, they weren't without their shortcomings. Many of those pedals were simple and lacked some EQ controls that could really make a great pedal extraordinary -- or not so much, due to the manufacturer using whatever parts they had available, which led to major part tolerance issues leading to each of the pedals sounding potentially drastically different.

The three-band EQ gives full sculpting capability to dial in whatever tone you want without needing magic vintage mojo. The voicing switch can take it from classic, tight response to dark, sludgy and writhing with a depth to it like piping hot magma bubbling just below the surface.

The Fuzztration isn't a pedal designed to really play "nice." It's brash, raspy, doomy, in-your-face fuzz from top to bottom. This is not to say it can't get some classic Floyd sounds, but this isn't just another classic with some added EQ options. It's rough, it's gruff, and it's like an angry lion trying to bust out of its cage. When the search for the perfect fuzz leads to a plethora of choices, the end of your Fuzztration comes when everything is packed into one, do-it-all fuzz box. Want the classic sounds? Done. How about some raunchy doom metal or sludge rock? Yep, it does that too

The volume knob is pretty self-explanatory, but it controls the overall output of the Fuzztration. The Bass controls the overall low-end response of the Fuzztration. Noon is standard, counterclockwise it removes some of the bottom end that warrants a more searing tone, where taking it clockwise will increase the bottom end tremendously, going from a raspy fuzz to full-on doom machine. Mids controls the mid presence of the circuit. Center is fairly flat, counter-clockwise will scoop the mids and become much more aggressive and cutting, almost distortion-like. Clockwise will add in some mids, which helps combat the scoop that lead many of those old classic fuzzes to be lost in the mix with the full band. The treble control effects the overall high-end and brightness of the circuit and has a tremendous effect on the overall way of shaping the tone of the fuzz.

Noon is standard, going counter-clockwise will yield in a much thicker, saturated fuzz tone that sounds like a wall of wool coming from the speakers. Clockwise will increase the brightness, and thus the raspiness and spit of the fuzz depending on where you have the voicing switch set. The Voicing switch gives you two very different but usable sets of tones. On the Tight setting, it has a classic, more modern sound that's...well, tighter, less sag and acts more as a fuzzy distortion that totals up to a sum of a whole lot more than that magical number of 3.14.

The Open setting is much woolier, darker, saggier, and an overall thicker and sludgier fuzz tone. The huge Fuzz knob controls the overall amount of fuzzy goodness. This pedal isn't designed for sparkly edge-of-breakup tones, so even fully counterclockwise it yields a thick, sputtering result that works great for alt-rock and grunge. Turning the fuzz knob clockwise unleashes a torrent of fuzz, leading to massive sustain combined with some compression, classic velcro sputters and everything in between.

(2 customer reviews)

$199.97

Out of stock

SKU: WMP-FDO-PED Categories: , Tag:
Cancer and Reproductive Harm www.p65warnings.ca.gov

Not just another clone

This is not just another clone with fancy graphics… it’s got that familiar tone, but once you add in the secret Wampler trademark 3 band EQ you have the most brutal yet controllable fuzz you can imagine.

You want Octave?

We all love an analog Octave feature on our fuzzes, but imagine one that you can put either pre or post gain… if you’ve never tried putting it in the other place to what you are used to, prepare to have your socks blown clean off.

Open or Tight

Two clipping modes make the Fuzztration one of the most versatile original fuzz circuits out there… One of them is gives you that beautifully horrible fat width, destroying the first three rows and the other is just sustain… smoothness and, yes, even more sustain…

Built for Forever

Brian Wampler’s attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Fuzztration. We’re all tone-freaks, and we’re always trying new things, but we hope this pedal finds it’s forever home on your pedalboard, so we built it to last that long.

See it in action:

Technical Details
  • Built in the U.S.A.
  • High grade components picked for their superior sound and response
  • Switchable between two completely independent clipping circuits, a more open fuzz or much more compressed
  • Completely independent octave – can be put pre or post fuzz or used on its own
  • Relay true bypass with soft switches
  • Top mounted input and output jacks
  • Battery connection and 9v power jack
  • Power draw: 18mA at 9v and 23.3mA at 18v (LED will flash 3 times when power from battery is getting low)
  • 2.5″ x 4.5″ x 1.5″ (63.5mm x 114.3mm x 38.1mm) – height excludes knobs and switches
  • Includes Wampler’s limited 5-year warranty

Fuzztration graph

Customer Support
CUSTOMER SATISFACTION GUARANTEE. Wampler offers a 30 day no questions asked return policy on any pedal purchased through the wamplerpedals.com website. In order to satisfy the requirements for the return the pedal must have the battery inside, complete with all original packaging and all in as new condition. Please contact us via [email protected] to arrange (please include your order number) the return. Please note, any pedal bought through a dealer is not applicable – please refer to their specific returns policy.

WAMPLER Pedals Limited Warranty. WAMPLER offers a five (5) year warranty to the original purchaser that this WAMPLER product will be free from defects in material and workmanship. A dated sales receipt will establish coverage under this warranty. This warranty does not cover service or parts to repair damage caused by accident, neglect, normal cosmetic wear, disaster, misuse, abuse, negligence, inadequate packing or shipping procedures and service, repair or modifications to the product, which have not been authorized by WAMPLER. If this product is defective in materials or workmanship as warranted above, your sole remedy shall be repair replacement as provided below.

RETURN PROCEDURES. In the unlikely event that a defect should occur, follow the procedure outlined below. Defective products must be shipped, together with a dated sales receipt, freight pre-paid and insured directly to WAMPLER SERVICE DEPT – 5300 Harbor Street, Commerce, CA 90040, USA. A Return Authorization Number must be obtained from our Customer Service Department prior to shipping the product. Products must be shipped in their original packaging or its equivalent; in any case, the risk of loss or damage in transit is to be borne by the purchaser. The Returns Authorization Number must appear in large print directly below the shipping address. Always include a brief description of the defect, along with your correct return address and telephone number.

When emailing to inquire about a returned product, always refer to the Return Authorization Number. If WAMPLER determines that the unit was defective in materials or workmanship at any time during the warranty period, WAMPLER has the option or repairing or replacing the product at no additional charge, except as set forth below. All replaced parts become a property of WAMPLER. Products replaced or repaired under this warranty will be returned via ground shipping within the United States freight prepaid. WAMPLER is not responsible for costs associated with expedited shipping, either to WAMPLER or the return of the product to the customer.

INCIDENTAL OR CONSEQUENTIAL DAMAGE. In no event is WAMPLER liable for any incident or consequential damages arising out of the use or inability of the possibility of such damages, or any other claim by any other party. Some states do not allow the seclusion or limitation of consequential damages, so the above limitation and exclusion may not apply to you. This warranty gives you specific legal rights and you may also have other rights which may vary from state to state.

FOR YOUR PROTECTION. Please complete the online warranty registration within (10) ten days of the date of purchase so that we may contact you directly in the event of a safety notification issued in accordance with the 1972 Consumer Product Safety Act.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.

This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantees that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures.

  • Reorient or relocate the receiving antenna.
  • Increase the separation between the equipment and the receiver.
  • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
  • Consult the dealer or an experience radio/TV technician for help.

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s warranty to operate the equipment.

CUSTOMER SUPPORT. Our dedicated staff is ready to help you with any warranty or product questions – please email us at [email protected] or call us on (765) 352-8626.

Please remember to register your pedal as soon as possible after purchase at the following web page to ensure quicker service if you should ever need to make a warranty claim: warranty registration

(2 customer reviews)

2 reviews for Fuzztration

  1. Troy

    This pedal sounds great on it’s own, but is different from other fuzzes I’ve had in that it actually stacks well with other overdrive pedals, as well as INTO another fuzz pedal set for just a little breakup hair… Oh now!

  2. Michael Humphrey

    This thing is f-ing awesome!!! I heard tone demos on utube and was sold. If you’re into expressive yet compressed, knarly, super versatile fuzz/distortion tones you will absolutely love this pedal. You don’t even need other drives once you buy this. It’s in the same ballpark as fuzz tones heard from Ty Segall and John Dwyer (except this has 3-band EQ – perfect for live musicians and/or recording, standalone octave that can also go before or after the fuzz, an open/tight switch, what more could you ask for).

    I use a PRS with P90 pickups, and it sounds killer through this pedal.

    I tried it at 9 and 18v. 18v has more headroom/touch sensitivity and less overall fuzz, as you would expect when raising da roof. I really loved 9v with the fuzz cranked all the way. This fuzz is still dynamic and expressive even at max fuzz, which is exactly what I was looking for to get away from my fuzzface/rangemaster rut I was stuck in.

    It’s like smashing a concrete wall with a sledgehammer.

    You get the treble boost from the octave, and you get an absolutely filthy bright or dark muffy fuzz (in the best way possible). The EQ has so much range to it, you can dial in whatever tone you need for the song.

    I don’t normally leave reviews this bashful but I fell in love with this instantly. Buy this. Write music with it.

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