You may have noticed that I’ve been dabbling with some DIY books over on Amazon’s kindle platform recently, and that has had me playing with breadboards again. Todays blog is inspired by some of the comments I’ve been getting, like this one:
I always love the idea of helping us guitar tone enthusiasts understand roughly what’s going on with guitar pedal circuitry. Its a chance for me to get nerdy with a circuit, and it’s also fun to dispel some common myths too 😉 Win – Win.
So, let’s dive in and learn a bit about what goes into creating a very simple overdrive pedal circuit…
The circuit “starts” with the guitar signal – the V1 shown above this indicates it is a simple audio signal. It goes into the area marked “in”, above. The sound then travels through R3 and C23 before coming into the op amp, which is set up as “non-inverting” with soft clipping via diodes. Non-inverting op amps are a key feature of many circuits. From there it goes into a variable low pass filter, which we’ve called “Tone”, before going to the volume control. Now, assuming i havent already lost you and your eyes have not glazed over, let’s take it step by step.
Up to this point our guitar signal is only going through R3 and C23, which looks like this:
A look of the actual parts so far is pretty simple at this stage:
Let’s add some more circuitry. We are adding an op amp after it goes through C23. As i mentioned, op amps are common in many circuits, but what is an op amp? It’s short for Operation Amplifier (Logical so far 🙂 ), and in our case this is going to “boost” the sound up enough for us to create some distortion or overdrive. This is going to require several parts to make it work correctly, and we’ll use an IC chip, or integrated circuit chip, in order to do this. Our Circuit now looks like this:
Looking at the parts now, things are starting to fill out a little:
In order to make the op amp work properly, we are going to “bias” the op amp using R41, which connects to a simple power circuit. This power circuit originates from the battery, marked BAT1 above. You’ll notice that there is a + or positive symbol, and the other side has a triangle pointing down. This symbol indicates ground, which can be thought of as the opposite of positive voltage in this instance. A battery has two different connections on it… positive and ground. On this schematic and in many simple circuits like this, all grounds are connected together even though they show individual triangles.
It’s just one of those “it’s commonly understood” type of situations amongst circuit builders. Also, these schematics, like many others, “assume” that the viewer knows which two pins are going to connect to the power. I’m indicating “wires” containing power by red, while “wires” that are at ground are colored black on the diagrams that show the part. As ever, you will be attempting these modifications at your own risk – if you invert your power and blow something thats on you 😀
From here let’s add a gain circuit with the op amp. We’ll also add an output capacitor, C3, and a “variable voltage divider”, or what we commonly know as the Volume Control. How do we do all that? Like this:
And again, let’s take a look at what that looks like from the parts-view:
At this point we have a volume booster. If we turn the gain all the way down and turn the volume all the way up we basically have a buffer. That’s not exciting enough though, amiright?!
Let’s make this lil’ thing do some overdrive. One way to do that is just by connecting diodes between two of the pins of the IC chip. And, it’s good practice to put a small capacitor in parallel in parallel with the diodes and gain pot, as this helps sort of make the whole op amp circuit a little more stable, a little quieter, and controls some of the “fizz” inherent when clipping a signal.
Here’s our schematic:
Here’s the same thing but the parts view:
Now we have a basic overdrive pedal, but currently there is no tone control. Ya just gotta have a tone control. It helps to control the fizz and make sure the sound isn’t too bright for your tastes. Luckily adding one is easy peasy (now that is a phrase Ii don’t use often – the caffeine has kicked in!), let’s just put a simple tone control between the output capacitor, C3, and the Volume control. MMmmm. Coffee.
Schematic:
Boom! And there you have it – a completed, working overdrive circuit!
Keep in mind, this isn’t showing the bypass (IE on/off) switching, and there are ALWAYS many, many more ways to improve it or change it. If you want to check out how it sounds and go more in depth to what’s happening on a circuit level, make sure you check out my video here:
https://www.youtube.com/watch?v=F-WHBgIowmU
And if you want to deep dive further into modding your own pedals, well I plugged my books above I don’t need to do it again 🙂
This is really helpful, thanks! On a bit of a tangent, I was wondering if you have any tips on achieving negative voltage to provide to opamps when you’re just powering off of a DC +9v supply (like a battery)?
You’d need a completely different power section including special circuitry to achieve 9v+/9v-, but it’s outside of the scope of this blog … best bet is to hit up diystompboxes.com/forum
Is the part of the circuit which biases the opamp needed because the opamp is supplied with 0-9V instead of, say +/-4.5?
Guy, that is correct. If we ask the op amp to reproduce -2V, for example, we rely on the negative rail to the op amp to pull the signal down into the negative. Since this circuit uses ground for the negative supply of the op amp, the minimum voltage is 0V. (Technically, it’s more like 1-2V in real life.] The solution is to boost the whole mess up by 4.5V and then later on knock that 4.5V off with a capacitor.
How good is it to have someone openly share their expert knowledge and take the time to visually explain it.
Thanks
You’re very welcome Luke!
Brian, you are a legend and it’s great that you continue to help out the community in the way that you make some things very logical . I recommend purchasing Brian’s book on Amazon if you want to learn all there is to know about the subject! I know I plan on buying mine next week Friday… Thanks again Brian!!!!
Thank you Jason – your kind words are appreciated!
Hey Brian. What can I use in place of the TL082? I’ve got 5532s, 4558s, and LM358s and LM324s I believe.
Hey there! I am very, very new to all of this, and I am extremely appreciative of the amazing resources you provide.
As I follow along here, step by Step, I think there might be a capacitor missing (starting with diagram #2]
-In the second schematic, I count 1 battery, 1 op Amp, 4 resistors, and 3 capacitors (labeled C30,C27,& C23).
However, I only see two blue capacitors in the corresponding parts-view diagram.
Again, I am brand new, so please forgive me if I’m overlooking something, but perhaps there Is indeed a capacitor missing from the parts view?
I am hesitant to continue past step 2 until I fully understand why the the two corresponding diagrams appear, to my inexperienced eye, to have a different number of components.
Thanks again,
-Johnny
P.S. I starting reading your DS-1 book last night, and am learning a ton!
Oops! Yes, there is supposed to be a capacitor in between the battery + and -, this would be C27
Thanks for this, I was also confused. I’m breadboarding this right now. So far I’ve boxed up a basic boost pedal and shelfed a fuzz pedal that I’m not sure what’s going on with. This will hopefully be my second pedal that makes it to my board! Thanks, I also enjoyed the video where you covered this same circuit.
Hi Brian, long time listener, first time caller. I love your work. I came across your guide to modding pedals but I can’t seem to find a way to acquire it. Is there a way to buy it anymore?
Thanks! Here’s the link to the ones available currently: https://modyourownpedal.com/collections/books
Hi Brian,
Thanks so much for all your YouTube videos. I’ve learnt so much about circuits from them.
I’ve got an idea for circuit along the lines of a Boss OS2. Which I think is basically a Tube Screamer type soft clipping circuit running parallel with a DS1 hard clipping circuit in parallel. And then there’s a blend pot on the outputs.
I was going to use your simple overdrive circuit to breadboard to test something for fun. Could I change it to a Distortion by just moving the diodes into a hard clipping position? Or would you recommend making any changes to capacitor or resistor values to make it sound better as a Distortion?
It hasn’t got to sound amazing. I just want to test the blending part of the circuit.
Hey Brian, I’ve been tinkering with pedals with the help of your book and learning as I go and the one think I would like to do is learn how to add a blend/mix knob to a circuit like you did above (the breakdown of everything you did above helped tremendously!!!!!) I have a heavily modded DS1 that I have been working on and was wandering if you minded explaining or showing how I could add a blend/ mix knob to one so the wet and dry signals can be mixed together
Thanks!!!!
Hello.
Will this circuit be appropriate for a bass guitar?
What modifications could be made to make it more suitable for a bass?
Sorry, should C23 actually be 470pF? You mentioned a .47, and I don’t have any 474 caps, so I was hoping to use a 471.
Thanks for the great information, I found all the parts in my big box-of-electronics stuff.
I, I’m trying to understand how the “voltage” part is working here… If I got it right, the circuit you added with the op-amp is needed to have the guitar signal from 0 to 9V, with “silence” in the middle, at 4.5V.
But then isn’t the output weirdly offset for the next pedal? Why doesn’t it need to be moved down to 0 in the middle?
The opamp is biased to 4.5 volts. This is to center the signal around the DC offset of about 4.5 volts, which is necessary because we are powering the opamp with 9V and ground (0V). Since the (-) supply is 0V, the output of the opamp cannot go below 0, so we center the signal at 4.5 V by biasing the opamp, then use a capacitor before the output of the circuit to block this DC value. In other words, the capacitor removes the 4.5 V DC component of the signal, effectively recentering the signal at 0 before it moves into the input stage of the next circuit in the chain, where the whole process will happen again.
Think of it like this: voltage bias is the “starting point” of the signal.
The audio signal wave can only swing between the min and max voltage of the opamp before the opamp distorts, which in the above schematic would be between 0v and 9v.
So the signal comes in like a wave that goes up and down. The volume of the signal controls how big the wave is, i.e. how much it swings up and down.
In order to give the signal as much room as possible to swing before hitting the floor and ceiling of the opamp (this is called the rails), we want the signal’s starting point to be +4.5v. That way it has the most room available both up and down (it can swing 4.5v up and 4.5v down without hitting the rails).
That’s why you always want the voltage bias in the middle of the opamp rails.
The symbols for the electrolytic capacitors are not shown in the drawn version. So I’m a bit confused about why you placed them there on the wire map.
In theory using a ceramic instead of an electrolytic shouldn’t change anything, but I could be wrong
Everything is working as expected expect for the Noise. There is a lot of noise in the output which when played via an amp amplifies the noise as well making it much noisier. Any possible solution to remove/reduce the noise in the circuit?
Building circuits on a breadboard introduces a lot of noise that otherwise won’t necessarily be present in a circuit constructed on say, protoboard, or better yet an etched PCB.
Brian, is this basically the same circuit as used in your “Busting the myth of magical op-amps and diodes” video?
Hallo Brian, i find chip Toshiba TA7316AP 16pin version inside my old Radio Buzzer. Is the newiest version on used in Boss DS-1 op amp and cant working in bredbording ?
I so Happy with my new parts for bredbording.Trim pot cant work well in circuit for precision gain, tone… setting?
Thanks and great work, safe by the first. 😁
HI, i´ve check de OPAMP datasheet, and it says that the power supply for it is about 18V, so how did you supply that voltage?
The opamp can be powered via a range of voltages, the upper limit of power that can be supplied to the TL082 is +/- 18V, but it can still be operated with 9V, as is done in this circuit.
I’m experienced with the TL072 and TL074 ICs and they work with 9V (and a bias) fine.
I think you can supply this op amp (TL082) with 9V, I think the 18V is the maximum Voltage you can supply. Increasing the the power supply simply increases the size of the output, which doesn’t really matter since it’s going to an amplifier.
If you wanted to, you could connect two 9V batteries in series to get 18V, but there’s honestly no need for that.
*Take my information and do your own research, I may be wrong*
This is amazing. You can learn all of this by reading a bunch about different band filters and source followers and reading explanations of circuit teardowns, but having it step by step like this is clever.
Thanks Brian for writing these and sharing your mods and designs throughout the years
Hi there,
I have a question regarding the taper type on the 3 potentiometers?
For the Volume, my guess be linear.
But are the Gain and Tone Pots Logarithmic?
Thanks for any help anyone can share
Have you figured this out?
volume is log (audio) taper
gain is linear
tone is linear
then why do industry pedals cost so much ?
why not just use an op amp and a boss EQ behind it ?
Im so much appeciated this tuturial. Even though i have a little knowledge in electronics. This tuturial will help us. Its easy to read and understand, unlike others hard to understand..thank you so much sirl
I’m having issues with the IC, wondering if you could relay what pins you are connecting to exactly? The pictorial diagram appears to not be connected to pin 7 although according to its datasheet that seems needed.
Appreciate your videos so much!
Hi Metal.
Where in the datasheet did you see that it is necessary to connect Pin 7? And to what? See, tl082 is a dual opamp or two opamps inside one package. Pins 1 to 3 are the first one and 5 to 7 the second one but Brian’s circuit uses one opamp only thus pins 5 to 7 are mit connected.
It is common practice to connect the pins of unused opamps to a voltage follower buffer with gain=1, meaning neither amplification, nor attenuation, though.
Regards,
Thomas.
I think
I pretty understand the fundament analogy
of how these stuff works
You are a very informative and caring musician. I watch your you tube shows here in Australia and always get some thing out of them. At present I’m building a overdrive unit using a (you guessed it a 4558 circuit). It has Tone, Vol, and gain. The out put at full gain is pretty hot. Is there a way to have about 30% of this gain run through one pot and switch and the remaining 30 to 100% gain run through a second pot and switch as a Boost. It would be easy to just parallel the 2 switch’s but thats not really what I’m after….Once again thanks for your products and infomation. Best regards Trevor. Australia.
And the 9v on pin 8? Pin 4 goes to GND?
Yes Guilherme, you are correct although I think it is 4.5v at pin 8, having been divided (biased} prior to reaching the IC.
Hello fig.
No, it is indeed 9v on pin 8. 4 and 8 are the power supply pins on most types of dual opamps.
The 4.5V you mentioned are bias voltage that belongs to the opamps input. This creates the “middle line” around which our sine audio wave swings. This is necessary because we don’t have a +/- supply here. In that case the bias would be 0v or ground and therefore no biasing would be needed.
Cheers,
Thomas.
.
Hey! This is just what I was looking for and I’m going to try building it! I purchased “How to Modify Guitar Pedals” and I’m finding it helpful. I’ve put together an amp kit and a pedal kit which is all well and good but I want to understand what does what more, without going into too much electrical engineering and the book does that well. The videos do that well too! Thanks!
This is AWESOME! I have your books and I have what might be a more advanced question. There are mods in the book for the boss ds-1 for synth fuzz, unfortunately the copy that I have just gives 3 examples of where to run the wire(s) for the mod and doesn’t go into detail on specifics about them. Can those mods be applied to the ts-9 circuit that is used here in this example?
Dear BRIAN, please describe you used favorite op amp TL082 reason purpose.
In last time i buy TL072CP, LM368N and LM358P.
Chips LM working in guitar distortion pedal circuit.
Digitech Hardwire “TS-2” Metal sounds for my best and any clone building cant by find on web.
Im so surprised, wenn i look red blinking two led in my Marshall Guvnor 2 Plus, Jackhammer and BluesBreaker 2000 all my collection pedals. 😁
OMG amazing clipping work.
Your breadboarding video clipping germanium diodes sound’s best for my.
Thanks. 👋👋👋
Hallo Brian, im engine technique in profession, but love stuff building pedals, tube amp, guitars…
Please you describe different between metaloxid film resistors and carbon resistors sound in circuit.
I not understend reason used in one example ceramic or polymer film caps.
Is sound clearity moustly different?
Thanks
Can the TL082 be replaced by the KA358 (I found one in my electronic scrap)? Can the resistors be 1% metallic film or the normal 5%? Are capacitors made of film?
Can 1N4148 diodes be replaced by germanium diodes like 1N270, 1N34?
It’s a good project. congratulations!!!
I’m late to the party and pretty new to this, but shouldn’t C3 be facing the other direction in the schematic?